Uptown Banner on Hennepin Avenue
The missing uptown theatre letters. The developer says they are rehabbing them.
Landscape, cityscape and documentary photography taken in Minneapolis, Minnesota.
The missing uptown theatre letters. The developer says they are rehabbing them.
A Minneapolis Park & Recreation Board kiosk on East River Parkway in Minneapolis.
The aging ADM grain elevator rises over the Harris Machinery Co. building in Minneapolis, a reminder of the city’s long industrial relationship with grain milling and riverfront commerce. These concrete storage silos and metal-clad headhouses were once central to moving Midwestern grain through the milling district, part of an infrastructure network that fueled Minneapolis’s identity as the “Flour Milling Capital of the World.” Harris Machinery Co., a longtime supplier of industrial equipment, occupies the foreground, its brick façade contrasting with the weathered surfaces of the towering elevator. The structures together illustrate the layered industrial history of the city’s working riverfront.
Nicollet Island East Bank in Minneapolis.
Gwar on the marquee of the Skyway Theatre in downtown Minneapolis.
A flyer taped to a pole in downtown Minneapolis advertises a search for an “aggressive guitar player” and “people who give a damn,” echoing the recruitment style of 1980s metal bands. The poster lists influences ranging from Vixen and Madam X to Mötley Crüe, Poison, Ratt, and Judas Priest—names that shaped the Twin Cities’ hard-rock and glam-metal culture during the era of small clubs and independent bands. Its DIY design and bold typography reflect the ongoing tradition of grassroots music promotion that still surfaces in the city’s urban corridors.
"We are back to serve you!" written on the side of the newly opened Lake Street Station. The post office was burned down during protests that followed the May 25th, 2020 murder of George Floyd.
A flag hanging in downtown Minneapolis.
Personal-care items—including toothpaste, toothbrushes, and other everyday hygiene products—sit behind locked Plexiglas cabinets at the Target flagship store in downtown Minneapolis. In recent years, large retailers across U.S. urban centers have expanded the use of secured cases for small, easily resold goods in response to rising shrink and merchandise loss. At this location, much of the oral-care section now requires staff assistance to access, reflecting a broader shift in store security strategies and retail operations in high-traffic downtown corridors.
Items behind locked cabinets at the flagship Target store in downtown Minneapolis.
The new entrance at the flagship Target store in downtown Minneapolis.
The demolition of the former supervalu store on Lake Street in South Minneapolis.
A billboard by a self described "leading public policy organization" at the I-94 Minneapolis border declares “It’s official” and directs motorists to a page where their interpretation of crime data shows crime rising years prior to the mass quitting of police officers in 2020-22.
A protester holds up a sign reading “No Justice No Streets” as the Mayor Jacob Frey proclaims it George Floyd Day. It would have been Floyd’s 49th birthday.
Jacob Frey, the Mayor of Minneapolis, poses with the family of George Floyd on what would have been Floyd’s 49th birthday. The mayor had proclaimed it George Floyd Day.
Terrence Floyd, Paris Stevens, Angela Harrelson.
Jacob Frey, Mayor of Minneapolis, proclaims it George Floyd Day on what would have been Floyd’s 49th birthday.
Protesters holding space at City Hall. They say they demand "a complete moratorium on the clearing of encampments, clear guidelines regarding the encampments and proof of funding for more permanent housing for unhoused residents and people in need"
Protesters holding space at City Hall. They say they demand "a complete moratorium on the clearing of encampments, clear guidelines regarding the encampments and proof of funding for more permanent housing for unhoused residents and people in need"
Cedar-Riverside train station in South Minneapolis.
A Cupcake Vineyards promotional hot-air-balloon display stands at the edge of a red-lit entryway, its bright yellow and deep blue panels catching the saturated glow from the surrounding walls. These inflatable point-of-sale displays are common in liquor stores and bar entry corridors, designed to stand out under mixed lighting and draw attention to featured brands. The scene’s heavy red cast—likely from LED wash lighting or a painted interior corridor—creates a striking contrast with the cooler tones of the balloon, giving the space a graphic, almost stage-set quality often found in Minneapolis nightlife districts where narrow passages and dramatic lighting create strong visual color blocks.